The two terms are often used as if they mean the same thing, but they solve different problems.
Correction makes footage accurate
Correction fixes exposure and white balance, then matches shots so that a scene filmed over several hours looks like one moment. Viewers should never notice it.
Grading makes footage feel like something
Grading is the creative decision that comes next. Warm and nostalgic, or cool and tense? It shapes how the audience feels, often without them knowing why.
Why the order matters
A look applied to uncorrected footage behaves differently on every shot. Always correct first, then grade.
What to tell your colorist
- Show two or three reference images for the mood you want
- Mention any brand colours that must stay accurate
- Say where it will be watched, because phones, TVs and projectors all differ